Massachusetts Microdistilleries

If you've been reading this blog for long, you know I'm a fan of spirits (the drinkable kind), and especially the amazing liquids that come out of microdistilleries. (*1)

(And if you've not been reading this blog, what the hell's the matter with you?)

Anyway, nice piece about the "industry" in today's Boston Globe.

Tip o' the mug to David Fahey at the Alcohol and Drugs History Society Daily Register.

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*1: Bill Owens, microbrewing pioneer and world-renown photographer, founded and now runs the American Distilling Institute, the first trade group for micro-distillers.

You Want to Support An “Indie” Artist? Here’s Your Chance

The internet is full of chatter about supporting independent entrepreneurs. About “buying local.” About supporting self-published writers and indie films that flout Hollywood. About supporting open-source software.

You get my drift.

Time to put your money where your mouth is. I’ve mentioned Beer Wars here several times -- and to repeat the full disclosure: yes, I’m in the film. Yes, I’m friends with Anat Baron, who financed, produced, and directed the film.

But even if that were not the case, I’d still say: Support this film. Buy a ticket. See it on April 16.

Why? Because this documentary is the work of an independent film maker. There are no big names, and definitely no Big Bucks, involved. This film came straight out of Anat’s desire to tell a specific story.

No, not a story about Big Beer versus Pure Beer, as many people seem to think. Rather, she wanted to explore a larger, more universal matter: the nature of personal vision, ambition, and entrepreneurship.

Because Beer Wars isn’t about beer. She only used “beer” as a lens through which to document what happens when ordinary people pursue their dreams. As a result, it’s a film about both success and failure. (This is not a totally-happy-ending film.)

I’ve heard lots of chatter in the beer blogosphere from people who don’t want to see the movie. They object to Ben Stein as moderator of the live panel discussion that will follow the film. Fine. Leave when the film ends.

Some say they won’t bother to see it because the story of  Big Brewers versus Small Brewers is Old News. To which I say: it’s only “old news” if you’re ensconced in the beer world. But most Americans are not part of the beer world.

Finally, the beer-geek critics complain that the world keeps ignoring Craft Beer. They’re frustrated that 97% of Americans still drink Big Beer rather than local craft beer. But when someone tries to tell a story centered on craft beer, well, see the critiques above. Ain’t no pleasin’ some people.

But I hope you'll see the film for another, more personal reason. I'm a writer, and I know how hard it is to create something from nothing. To have an idea and pursue it from vision to printed page. Making movies, I've learned, is exactly like writing books: It requires self-discipline and dedication. It requires thousands of hours of work, oceans of blood, sweat, tears, and an infinite capacity for frustration, depression, and despair.

In short, making movies, like writing books, brewing beer, editing Wikipedia, or creating open-source softeware, demands personal passion.

It's hard for me to find words to express how much I admire Anat for her devotion to this project. She's spent three years of her life, and a whole lotta money, pursuing her vision, creating something from nothing.

So I hope you'll support an indie artist and her work. Beer Wars. April 16. In a theater near you. (And if it’s not in a theater near you, don’t blame Anat. The event will be beamed via satellite, and not every American movie theater is “wired” for satellite.)

A Photographer Explores What's Left of the Rainier Brewery Complex (Seattle)

Dawn Farmer, one of the contributors to Scholars & Rogues (one of my favorite blogs), has a nice piece today about her excursion, camera in hand, to what's left of the Rainier brewery complex in Seattle, Washington. Check it out here.

Update: Dawn alerted me to another Seattle-related blog, Vintage Seattle, which has some entries related to Rainier. Just enter "beer" in the search box at the VS blog.

Alexis Madrigal, "Inventing Green," and "New" History

This definitely falls into the category of "cool stuff":

Alexis Madrigal, a science blogger for Wired.com, is writing a history of "green" technologies.

So why is that so cool? Because of what he's doing while he's writing it. He's using his website to keep a running log of where his research takes him; sharing his work "process" with anyone who stops by.

Thanks to digital technology, he's able to post photos and excerpts from primary documents, comment on them, and ask for input.(*1)

Yes, you say. Yawn. So what?

The "so what" part is that until recently, historians (and other scholars) could not do this kind of thing. What's normal now has only been "normal" for a few years and sometimes seems nearly science-fictionish to people my age.

For this old historian (I'm 55; Alexis is much younger), Alexis's approach to his work is amazing.

Back when I started working as a historian, wasn't nobody sharin' nuthin' with no one -- certainly not in such a public fashion. Sure, historians working on similar topics shared notes and commiserated at conferences, but otherwise, isolation was the name of the game, and we only finally shared the results of our research when we had completed that research and written a book or article.

Obviously some isolation is still necessary. Neither Alexis, myself, nor any other scholar can accomplish the kind of work we do without long hours of isolation, concentration, and "aloneness."

But it's so. damn. cool. to watch what digital natives are doing with the historical profession. (*2)

So if you have time, take a look at his website, add it to your rss feed, or bookmark it so you can follow along, too. You'll be watching the history of doing history unfolding before your eyes.

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*1: For more on a historian's work and the difference between primary and secondary sources, see any of the posts here at my blog under the category "A Historian At Work," and especially the two entries about the "basics."

*1: I'm assuming Alexis is young enough to be a digital native or close to it, meaning he grew up with the internet and email and the whole nine yards. People my age are digital pioneers: We started using computers back in the 1980s, but by the time the internet and the wired world arrived, we were already in our 40s. Our tools for and approach to our work were shaped during and by a non-wired world.